Sannomaru Shozokan Toppage Image
March 26,2023(Sun)
The Museum of the Imperial Collections is closed from December 13 (Mon.), 2021 through Fall 2023 (estimated) for the new facility construction.

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Special Exhibition in Conjunction with the Chura-shima Okinawa Cultural Festival 2022 Imperial Aesthetics and Art Related to Okinawa: Arts and Crafts from the Museum of the Imperial Collections, Sannomaru Shozokan

Dates:
January 20 (Fri.) - February 19 (Sun.), 2023
Venue:
Okinawa Prefectural Museum and Art Museum

News

March 1,2023
Notice of Website Maintenance (March 8, 2023 (Wed.) 13:00-16:00 (JST))
February 2,2023
We have posted Bulletin of Sannomaru Shozokan, No.28.
December 15,2022
Search by Theme updated.
December 7,2022
Imperial Aesthetics and Art Related to Okinawa: Arts and Crafts from the Museum of the Imperial Collections, Sannomaru Shozokan (January 20 - February 19,2023)

Collection in Focus

Pair of vases with grape and squirrel design in gold and multicolored overglaze

Seiji Gaisha
early Meiji period, 19th century
h.97.8 d.52.0 each

The giant vases that almost 1 meter high, decorated with the combination of the image of squirrel and grape which is a traditional motif in Asia. The realistic depiction of grape leaves by both overglazing and underglazing is a major difference from the Hizen porcelain in the early modern period. The Seiji Gaisha was established in Arita in 1879 and introduced the latest machinery from Limoges in France to manufucturing high quality products for export, but ended around 1897 due to the global recession.

This Album was made in memory of the first visit of the Crown Prince to the ninth Nihon Bijutsuin (the Japan Art Academy) exhibition in 1922. Yokoyama Taikan (1868-1958) and his colleage artists colorfully painted various motifs such as landscapes, flowers, birds and people. Fruitful grapes and pomegranates which painted on a Kakiemon bowl are traditional auspicious motifs signifying fertility. The contrast between the fruits and the bowl brings about a sense of refreshing.

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